Finally out after nine years (just one year shy of the movie’s tenth anniversary) David Arnold’s score for Roland Emmerich’s remake (a 2-CD set, limited to 3000 copies) of Tokyo’s resident bad boy displays all of the pluses and minuses of Arnold’s previous collaborations with Emmerich.
One of the most striking things that occurred to me when listening to this set was the fact that Arnold tends to compose similar music whenever the military is on screen at any given point. In fact, “Military Command Center†is a case in point. The drum beats alone tends to signify “Ten-shun!†whenever a military type enters the scene. Ironically, and much to Arnold’s regret according to the booklet’s liner notes (one of the most illuminating I have come across, by the way), the military in Emmerich’s opus doesn’t get as much screen time as one would expect in a film with the big G.
Another puzzling thing is that about halfway through the production process was the decision on Emmerich’s part to make his CGI big G as much a thing of wonder as of a thing of terror. Perhaps the most significant result of this sudden change of direction is “Guess Who’s Coming To Dinnerâ€. At first the piece emphasizes the terror, but around the halfway mark it switches to an almost Williams-style feeling of awe and wonder.
Still, what this score does right, it does very right indeed. “The Beginning†does an excellent job of setting things up and while it’s not going to dethrone Akira Ifukube’s now-iconic theme anytime soon, it manages to display a sense of dread all its own. In fact, in the alternate version of this (no choir in the latter) it almost sounds remarkably similar to Ifukube’s previous work. Also, “Nick and Audrey†has a feel to it that’s more than a little reminiscent of John Barry.
In all, this is an album that many people have been waiting for a long time and whether you like the movie or not, the score itself should be listened to at least once, since it seems unlikely, despite Arnold’s optimism, that he’ll do another job for Emmerich anytime soon.
- The Beginning (3:29)
- Tanker Gets It (1:11)
- Chernobyl (3:13)
- Footprint (0:33)
- Footprints / New York / Audrey (0:54)
- Chewing Gum Nose (0:30)
- Ship Reveal / Nick Discovers Fish / Flesh (1:39)
- The Boat Gets It* (2:09)
- Dawn Of The Species (1:49)
- Joe Gets a Bite / Godzilla Arrives (3:11)
- Mayor’s Speech (1:03)
- Caiman’s Office (0:45)
- Animal’s Camera (1:39)
- Military Command Center / New Jersey (1:55)
- Audrey’s Idea (0:22)
- Evacuation (2:41)
- French Coffee (0:56)
- Subway Damage / Command Enters City (2:50)
- Fish (1:48)
- Guess Who’s Coming To Dinner? (5:13)
- 1st Helicopter Chase / Godzilla Swats A Chopper (4:08)
- We Fed Him / Audrey Sees Nick (1:21)
- Nick And Audrey / He’s Pregnant / Audrey Takes The Tape / French Breakfast (4:46)
- He’s Preparing To Feed (0:34)
- Nick Gets Fired / Nick Gets Abducted / Frenchie’s Warehouse / Nick Joins The Foreign Legion (5:47)
Disc two
- Chewing Gum (1:51)
- Rumble In The Tunnel (1:35)
- Godzilla O Park / Godzilla Takes A Dive / Godzilla Versus The Submarine / Egg Discovery (9:42)
- Baby ‘Zillas Hatch* (3:51)
- Nick Phones For Help (1:28)
- Eat The French (2:14)
- Phillip Shoots The Lock (1:39)
- Nick’s Big Speech / The Garden Gets It (7:07)
- He’s Back! / Taxi Chase & Clue (7:06)
- Big G Goes To Monster Heaven (4:30)
- The End (4:05)
Bonus Tracks
- The Beginning (no choir) (3:32)
- Footprints / New York / Audrey (alternate) (0:50)
- The Boat Gets It (alternate) (1:09)
- Gojira (Album Version) (2:46)
* contains material not used in the film
Released by: La-La Land Records
Release date: 2007
Disc one total running time: 55:28
Disc two total running time: 53:47
