The Juggernauts
An attack on a space cruiser they’re visiting forces the Doctor and Melanie to evacuate by any means necessary. Mel manages to make her way to an escape pod, which takes her to a research colony on the planet Lethe. The Doctor and the TARDIS, however, are captured by the Daleks, who offer to send the Doctor to Lethe too…so long as he reports back on what their creator, Davros, is doing there. When the Doctor arrives, he finds that Davros has managed to conceal his appearance and is calling himself Professor Vaso – and worse yet, he has unearthed specimens of one of the Daleks’ worst enemies, the Mechonoids. Davros has quietly set up self-replication facilities for the Mechonoids, aware of their potential for battling the Daleks, claiming that he hopes to atone for his past by ridding the universe of his creations. But even with this claim of a noble mission, the Doctor sees Davros up to his old tricks, leaving a trail of death in his wake. But when the Doctor fulfills his end of the bargain and alerts the Daleks, who still want to capture Davros and try him for crimes against them, things only get worse, with an entire colony of innocent bystanders caught in the crossfire of a new Dalek-Mechonoid war.
written by Scott Alan Woodard
directed by Gary Russell
music by Steve FoxonCast: Colin Baker (The Doctor), Bonnie Langford (Melanie), Terry Molloy (Davros), Bindya Solanki (Sonali), Klaus White (Geoff), Peter Forbe (Kryson), Paul Grunert (Brauer), Julia Houghton (Loewen), Nicholas Briggs (Dalek and Mechonoid voices)
Timeline: after The Trial Of A Time Lord and before Catch-1782
Notes: The Doctor mentions Evelyn in the past tense here. If one follows the generally accepted view from the novels that the Doctor dropped Melanie – a future companion he hadn’t met yet – off in her own post-seventh-Doctor timeline after The Trial Of A Time Lord, only to encounter her and begin their travels together at a later date, it’s reasonable to assume that the stories with Evelyn Smythe take place in the interim.
LogBook entry and TheatEar review by Earl Green