Tag: CBS

As Virdon, Burke and Galen explore their world, stopping to sample the local fruit until the hear the sounds of fighting nearby. The two astronauts intervene when they find two men apparently intent on beating each other to a pulp. Burke intervenes, but instead of finding a victim grateful that his attacker has been beaten off, he finds himself targeted by both combatants. Virdon joins in until the sound of approaching ape soldiers drives the astronauts into hiding. Virdon realizes that his most prized possession – a disc from the spaceship’s flight recorder that might prove useful in reconstructing the events leading up to the time warp – was dropped during the fight, and is now in the hands of the local ape prefect. Virdon, Burke and Galen go to retrieve the disc, and Galen offers to take the point, as he’ll have less trouble blending into an ape community. Virdon and Burke, on the other hand, are arrested for trying to steal horses. Burke is singled out to participate in gladiatorial games against another human – Tolar, the older of the two men they spotted fighting before. Burke beats Tolar in hand-to-hand combat, but refuses to kill him when a sword is thrown into the arena. Rather than inspiring humans and apes alike with this act of mercy, Burke has merely made a new human enemy by violating a primitive code of honor – and they’re no closer to retrieving the disc.

written by Art Wallace
directed by Don McDougall
music by Lalo Schifrin

Guest Cast: William Smith (Tolar), John Hoyt (Barlow), Marc Singer (Dalton), Mark Lenard (General Urko), Pat Renell (Jason), Andy Albin (Man), Eddie Fontaine (Gorilla Sergeant), Nick Dimitri (A Gorilla), Ron Stein (1st Gorilla), Jim Stader (2nd Gorilla)

Notes: A number of past and future SF TV veterans appear here, most notably Mark Lenard – best known for playing the part of Spock’s father Sarek in the original Star Trek – shows up again as the astronauts’ recurring arch-rival General Urko. John Hoyt also puts in an appearance; he had played the part of the Enterprise’s original chief medical officer, Dr. Boyce, in the Star Trek pilot The Cage. And future V veteran Marc Singer can be seen here as well, putting in an early-career guest appearance.

LogBook entry by Earl Green

General Urko intensifies his search for Virdon, Burke and Galen – he’s taken it on as his personal mission. He pursues them into a territory stricken by frequent earthquakes…and a village known for sheltering humans on the run from their ape masters. Virdon is less interested in the earthquakes than he is in artifacts which are unknown to the humans of this era…but he recognizes them as pieces of a computer. Over Burke’s protests, Virdon and company set out to the ruins of a city where the pieces were found – a place which also happens to be the epicenter of the earthquakes. Urko and his troops follow, and just as Urko captures Burke, a violent quake sends both of them tumbling into an underground chamber which is then sealed off by debris. When Burke comes to, he recognizes it as a subway station. Burke does his best to convince Urko to let him stay alive: the ape doesn’t know enough about the “ancient” subway to find his way back to freedom, so he needs Burke’s help. But with the already-stale air running out underground, Urko’s patience is also running out…and with it, Burke’s time.

written by Edward J. Lasko
directed by Arnold Laven
music by Richard LaSalle

Guest Cast: Mark Lenard (Urko), Norm Alden (Zako), John Milford (Miller), Cindy Eilbacher (Lisa Miller), Mickey LeClair (Jick Miller), Wallace Earl (Mary Miller), Gail Bonney (Old Woman)

Notes: The BART (Bay Area Rapid Transit) subway station pinpoints The Trap’s location as the ruins of San Francisco, but Burke is obviously from a more advanced future San Francisco: his talks about nuclear-powered subway trains, meals in a pill and replacement organs as commonplace items.

LogBook entry by Earl Green

Urko’s troops pursue the fugitives to the point of exhaustion – and that leads to clumsy missteps. Virdon and Burke have to carry Galen on a stretcher to the nearest settlement, where they’re met with the usual stares of distrust. There is one bit of good luck: they’ve stumbled into an ape farming settlement, and one that needs extra laborers, in exchange for which the apes – though still suspicious – are willing to hide them from Urko’s patrols. Virdon’s own experiences growing up on a farm lead him to start giving advice on how to make the farm run much more smoothly, from the use of simple machines to better methods of planting crops. But are Virdon’s improvements – completely unorthodox in this primitive era – going to buy Galen time to heal…or will they draw too much attention from the patrols?

written by Robert W. Lenski
directed by Don Weis
music by Lalo Schifrin

Guest Cast: Geoffrey Deuel (Anto), Lonny Chapman (Polar), Jacqueline Scott (Zantes), Mark Lenard (Urko), Bobby Porter (Remus), Eileen Dietz Elber (Jillia), John Garwood (Police Gorilla), Dennis Cross (Gorilla Officer), Michael Carr (Patrol Rider), Fred Lerner (Police Gorilla)

LogBook entry by Earl Green

Virdon, Burke and Galen find the ruins of a city – once known to them as Oakland – and find it inhabited by humans, though the approach of an ape patrol on horseback is enough to scatter anyone who might welcome the travelers. They take refuge in a building that was once the Oakland Science Institute – a place that Virdon remembers as a government think tank – where they discover a piece of equipment locked away for centuries, intact and functional: a hologram promising the sum total of human knowledge at the time of the then-approaching apocalypse. It needs a new battery before it will divulge any of that knowledge, however, and Virdon becomes nearly obsessed with constructing a new battery; even just before his capture, he tells Burke that extracting the information is more important than the lives of any one of the group. Virdon is captured by Urko’s troops, but while Urko is eager to torture his prisoner, Dr. Zaius arrives to conduct the interrogation by far subtler means. Virdon may not even realize that he is betraying his fellow fugitives…or that he’s handing over the sum of human knowledge to the apes.

written by Robert Hamner
directed by Bernard McEveety
music by Earle Hagen

Guest Cast: Zina Bethune (Arn), Jackie Earle Haley (Kraik), Robert Phillips (Gorilla Captain), Mark Lenard (Urko), Booth Colman (Zaius), Jon Lormer (Scientist), Wayne Foster (Gorilla Sergeant), Victor Kilian (Human)

Notes: Director Bernard McEveety (1924-2004) was the brother of Star Trek director Victor McEveety, whose six turns in the director’s chair on that series included some of its more memorable episodes; both brothers also directed episodes of Buck Rogers. Bernard McEveety’s other genre credits include episodes of Airwolf, Blue Thunder, Voyagers!, The Incredible Hulk, and Knight Rider, but he may be best remembered as the director of the miniseries How The West Was Won. The city ruins seen in The Legacy look remarkably like those seen in The Trap, aired mere weeks earlier.

LogBook entry by Earl Green

Virdon, Burke and Galen are making good time along a shoreline, with the humans actually traveling on foot in the water as much as possible so the tide will cover their tracks; Galen is having none of it, preferring to stay well away from the water. They spot what appears to be a damaged raft adrift, and Burke and Virdon swim out to retrieve it, finding a man lashed helplessly to it: someone tied him to it and left him for dead at sea. The exhausted man wears a metal band indicating that he was a slave from a forced labor camp. Virdon and Burke scout out the nearby labor camp, where humans are forced to spear-fish at gunpoint by their ape masters, but they are captured by the guards and brought before Hurton, the camp’s commandant. They prove their ability to fish under fire – literally – but in order to prevent them from becoming trapped at Hurton’s camp, Galen appears, claiming that Virdon and Burke are his wayward slaves. But instead of releasing them, Hurton decides they should answer for their crimes to the “gods of the sea” – the plentiful sharks that have claimed many a fisherman in these waters. But even after thwarting this attempt to kill them, the two astronauts face a new threat: the man they rescued has been discovered…and Hurton’s over-eager security chief is more than happy to blame the newcomers for this, and punish them accordingly.

written by Robert W. Lenski
directed by Don McDougall
music by Earle Hagen

Guest Cast: Roscoe Lee Browne (Hurton), Jay Robinson (Bandor), John McLiam (Gahto), Jim Storm (Romar), Kathleen Bracken (Soma), Larry Ellis (Drayman #2)

Notes: Actor Roscoe Lee Browne is well-known in genre circles for two other genre appearances in the 1970s: he appeared as the gleaming robot Box in Logan’s Run (1976), and later narrated the best-selling storybook record The Story Of Star Wars in the wake of that film’s success. While the episode boasts some beautiful location filming and impressive underwater scenes for a TV budget, the “shark” props used (usually before a glimpse of stock footage of real sharks) are, perhaps, a little bit less than convincing.

LogBook entry by Earl Green

An ape ambush catches the fugitives off-guard; Virdon takes a bullet. They go into hiding before they can be found, and Galen decides to return to the ape hospital in the outskirts of the central city. His ex-fiancee, an ape surgeon named Kira, should be able to help, and Galen believes he can come up with a cover story to get Virdon into the hospital without immediately being arrested by Urko’s security forces. But even once Virdon is in the hospital, Dr. Kira can’t help him: she knows nothing about human medicine. Galen knows where to find a text on that subject…but it means venturing into the heart of the city and breaking into Dr. Zaius’ secret stash of human artifacts – right under the nose of General Urko.

written by Barry Oringer
directed by Arnold Laven
music not credited

Guest Cast: Jacqueline Scott (Kira), Michael Strong (Travin), Martin Brooks (Leander), Mark Lenard (Urko), Booth Colman (Zaius), Jamie Smith Jackson (Girl), David Naughton (Dr. Stole), Raymond Mayo (Human), Diana Hale (Brigid), Phil Montgomery (Jordo)

Notes: There is no incidental music score credit for this episode, only a theme music credit for composer Lalo Schifrin. Library music pieces may have been used.

LogBook entry by Earl Green

After narrowly escaping an unusually savage attack on the home of a fellow human who is helping them hide, Virdon and Burke follow Galen along a stretch of shoreline until their meet another ape, Fauna, who is blind. But even here, they must be careful: Fauna’s father was recently killed, and her uncle, Sestus, insists that humans were the killers. Virdon and Burke carefully conceal their identities, but just from talking to him, Fauna finds herself falling in love with Burke. In the meantime, Galen goes undercover to infiltrate a group called the Dragoons, who devote themselves to ridding their area of humans – by any and all means. Sestus is one of them, and Galen learns that even the local branch of General Urko’s forces do not approve of the Dragoons’ extreme methods. Worse yet, as part of his initiation, Galen is expected kill humans himself.

teleplay by Anthony Lawrence and Ken Spears & Joe Ruby
story by Anthony Lawrence
directed by Don McDougall
music by Earle Hagen

Guest Cast: Jane Actman (Fauna), Pat Renella (Zon), John Milford (Sestus), Hal Baylor (Jasko), Baynes Barron (Perdix)

Notes: The writing/producing team of Joe Ruby and Ken Spears – also story consultant for the Planet Of The Apes TV series as a whole – is the same Ruby & Spears team behind countless children’s series and specials. For Sid & Marty Krofft, the Ruby/Spears team wrote many episodes of Wonderbug and Electra Woman & Dyna Girl, and later they wrote and produced animated series such as Thundarr the Barbarian, Mr. T, Alvin & The Chipmunks, and even animated shows based on video games such as Dragon’s Lair and Donkey Kong. Joe Ruby had been a music editor on such genre series as Time Tunnel and Lost In Space. The Deception is actually a very-thinly-veiled allegorical condemnation of the methodology and philosophy of the Ku Klux Klan.

LogBook entry by Earl Green