Cacophony
Stardate 8764.3: A widespread subspace communications disruption near the planet Stentor gets the attention of Starfleet, and the Excelsior is dispatched to investigate. When the Excelsior reaches Stentor, hailing frequencies can’t even be opened – Stentor’s vicinity is blanketed with radio transmissions, and not just any transmission, but broadcasts originating from 20th century Earth. Only 20 years after the Federation made first contact with Stentor, the old Earth radio signals are being rebroadcast around the planet by powerful transmitters, even extending into the subspace frequencies. Worse yet, the Stentorian faction controlling the transmitters has declared these alien signals to be the voices of the gods, and they’re shutting out anyone else’s attempts to communicate to the masses – especially the opposing faction, which wants the signals stopped. Captain Sulu decides to introduce a little interference of his own to try to get both sides talking – and, more importantly, listening – to each other. But what Sulu has in mind may sound like a violation of the Prime Directive.
written by J.J. Molloy
directed by Karen Frillman
George Takei directed by Jill Denby-Guest
music not creditedCast: George Takei (Captain Sulu), Simon Jones (Lt. Commander Mulligan), Maryann Plunkett (Lt. Terra Spiro), Lynne Thigpen (Kandravex), Lee Wilkof (Ghazi)
Notes: Simon Jones will be a familiar voice to listeners of science fiction made for the ears; he starred in the original Hitchhiker’s Guide To The Galaxy radio serial as Arthur Dent and reprised that role in both the 1981 BBC TV series and in a more recent radio revival of Hitchhiker’s Guide. Lee Wilkof had a recurring role in the 80s SF series Max Headroom. Tony Award winner Lynne Thigpen was a cast member of the original stage production of Godspell, as well as in the film adaptation; she died in 2003. Maryann Plunkett has a previous Trek connection; she guest starred in the Star Trek: The Next Generation episode Identity Crisis as a former shipmate of Geordi’s.
At about the 28:20 mark into the story, sound effects from the 1981 arcade game Galaga can be heard.
LogBook entry by Earl Green
Stardate 9029.2: The Excelsior is assigned to visit the warring worlds of Krikiki and Den-Kai to negotiate a peace – and possibly to make overtures that could lead to both civilizations joining the Federation. Captain Sulu’s orders from Starfleet are clear: adhere to both worlds’ customs and protocols, and establish a dialogue. But paradoxically, Sulu is supposed to start this dialogue without being able to directly address anyone he meets at first. The first person he meets turns out to be a walking peace offering – the son of the Krikiki ruler is being sent to the Den-Kai Queen, but only after he has already been tortured, his vocal cords cut and his legs broken. Sulu struggles to maintain his imprtiality in his mission and his silence, and learns from the song of a trio of Krikiki that the young prince is certain to face more of the same treatment when he arrives at the Den-Kai palace. But Sulu doesn’t have to worry about his misgivings over his assignment for long: the Den-Kai send a group of extremists to collect the peace offering, and they attack the Starbase where the handover is to take place. Sulu sees an opportunity to take matters into his own hands, regardless of the Den-Kai’s customs, even though doing so may make the diplomatic situation considerably worse.
Ten years after the U.S.S. Enterprise barely stopped a Borg attck on Earth, Cadet Furlong is evacuated from his cadet cruise when his ship is diverted toward another battle with an incoming Borg cube. Furlong is angry with the decision – and his new orders bring painful memories of his father’s death aboard the U.S.S. Righteous at Wolf 359 to the surface. Before Furlong can evacuate, however, Q appears to him and offers him a chance to fight the Borg – not in the here and now, but in the past, aboard the Righteous, alongisde his own father. Furthermore, Q gives Furlong the chance to change history and save his father’s life. After a few false starts, Furlong – with Q’s help – assumes the role of Righteous bridge officer Lt. Sprint, with Q taking on the guise of the ship’s doctor to advise (and admonish) Furlong. Every decision Furlong makes could change history and help his father and his crew survive – or it could making his father’s death at the hands of the Borg inevitable. Q is able to give Furlong the chance to go back and correct some of the mistakes he makes, but even the omnipotent being says he can only give Furlong so many chances to change the past. But even if Furlong can save his father and the Righteous crew, will they escape destruction in one Borg attack only to face another?
Using the Guardian of Forever, Spock travels back to the twilight of the 20th century to warn humanity of an impending asteroid collision – one which history doesn’t record. The unflappable Vulcan is annoyed when an omnipotent being named Q appears, frustrating Spock’s efforts to save Earth from disaster. Spock quickly learns, however, that he can manipulate Q almost as well as Q can manipulate time, space and matter, and sets about engaging Q in a battle of wits that, if Spock wins, will mean that Q must put his powers to use to set history right.