Category: Star Trek

This is an episode of a fan-made series whose storyline may be invalidated by later official studio productions.

Stardate not given: After a pitched battle with a Klingon cruiser, the Enterprise is left battered, but a distress call from the U.S.S. Copernicus prevents Kirk from putting in for repairs. The Enterprise limps to the Copernicus’ aid at a low warp speed as a result of the damage, but what the crew finds is almost beyond explanation: the Copernicus is adrift, only a few hours away from sliding into a stream of matter connecting a binary star system. The Copernicus will be destroyed, but it appears that something has already killed the crew. As Kirk selects a boarding party to find out what happened on the Copernicus, he carefully omits his nephew, the recently-arrived Ensign Peter Kirk, from the mission. This draws a note of caution from Spock, and an anguished protest from Peter: if the crew feels that he’s receiving preferential treatment keeping him out of harm’s way, Peter will have to request reassignment. Peter wants to be treated as just another member of the crew – and that includes requesting that Captain Kirk officiate his upcoming wedding to another crewman, medic Alex Freeman. Kirk accedes to both requests, assigning both Peter and Freeman to the Copernicus mission. Soon after arriving, they both wish they’d stayed on the Enterprise: the Copernicus is infested with Regulan bloodworms, a life form so fast-speading and deadly that Starfleet has only one protocol for dealing with them – the immediate destruction of any ship found to be infested. With both his nephew and Spock aboard the Copernicus, Kirk has no plans to follow that order, but it may be too late to save his boarding party anyway, as they’re surrounded by swarming bloodworms.

written by Carlos Pedraza & David Gerrold
directed by David Gerrold
music by Fred Steiner

Cast: James Cawley (Captain Kirk), Ben Toplin (Mr. Spock), John Kelley (Dr. McCoy), Bobby Quinn Rice (Ensign Peter Kirk), Evan Fowler (Alex Freeman), Charles Root (Scotty), Jay Storey (Kyle), Kim Stinger (Uhura), Ron Boyd (DeSalle), Andy Bray (Chekov), Megan King Johnson (Rand), Nick Cook (Hodel), Paul R. Sieber (Ahrens), Patrick Bell (Xon), Debbie Huth (Fontana), Jeff Mailhotte (Sentell), Joel Belucci (Bren), Phil Koeghen (Admiral Koeghen), Scott Danni, Rich Lundy, George Wilhelm, Gwen Wilkins, Rick Bruns, Danielle Porter, Robert Mauro, Dan Wright, Melissa Wright, Elizabeth Peterson, Mabel Vilagro, Greg Schnitzer, Betsy Durkee, Jeff Collingsworth, Brian Holloway, Pat Heward, Amanda Root, Ralph M. Miller, Joe Nazzarro, John Hermann, Jessica Mailhotte, Glenn Smith, Ed Abbatte, Giovana Contini, Ron Gates, Ryan Storey, Jerry Storey, Paula Bailey, Erik Goodrich, Tom Brown, Howard Huth, Riva Gijanto, Carol Mazur, Howard Miller (Extras), Majel Barrett Roddenberry (Computer Voice)

Notes: Blood And Fire was originally written by David Gerrold (writer of the classic Trek favorite The Trouble With Tribbles) as an episode for the first season of Star Trek: The Next Generation, allegorically dealing with AIDS, the search for a cure, and its effect on the gay community. In many an interview and convention appearance, Gerrold has said that Gene Roddenberry verbally agreed to pursue these issues in the then-new show, but would never approve Blood And Fire for production, which eventually lead to Gerrold’s departure from the writing staff. It has also been adapted into a non-Star Trek novel. Fan writer Carlos Pedraza, previously a writer on the fan series Star Trek: Hidden Frontier (which prominently featured gay characters in a way that Paramount’s officially produced episodes and series never addressed), adapted Gerrold’s original script for the Kirk era. This is the first episode to carry the “Star Trek: Phase II” banner, though the opening titles still display “New Voyages” before “beaming” in “Phase II.” (Phase II was a semi-official subtitle applied to the aborted late ’70s TV revival of classic Trek, as chronicled in the excellent book of the same name by Judith & Garfield Reeves-Stevens.) Early publicity indicated that Blood And Fire would feature an original score by Neil Norman, the producer behind many Star Trek soundtracks released on CD in the 1990s by his father’s GNP Crescendo label, as well as a composer in his own right, but the finished episode instead features original series music by composer Fred Steiner.

Review: For years we’ve been hearing about Blood And Fire and how great it would’ve been in the first season of Star Trek: The Next Generation, and after a while it’s natural to wonder how much of the hype is warranted. But after seeing the episode itself, and finding that about 2/3 of the way in I was on the edge of my seat, I think it’s safe to say that this is New Voyages/Phase II firing on all cylinders with no casting gimmicks to use as a crutch. It’s just a good story, told and acted well, with one hell of a cliffhanger.

This is an episode of a fan-made series whose storyline may be invalidated by later official studio productions.

Stardate 7232.5: A landing party from the Enterprise examines volatile mineral deposits, but suddenly comes under attack from a fleet of Peshan raiders. Kirk’s nephew unwisely puts himself in the line of fire on the surface as the under-armed Peshan ships launch futile strafing runs on the Enterprise in orbit. The landing party captures a Peshan on the planet and retuns to the Enterprise during a brief lull in the hostilities. The captured Peshan accuses Captain Kirk and Starfleet of trying to wipe out his people. Another Constitution class ship appears, heavily modified, and begins brutally picking off Peshan ships: the long-lost U.S.S. Eagle, now commanded by the pirate captain Alersa. The Enterprise and the Eagle battle it out until more ships arrive, built by Alersa’s people and based on reverse-engineered Starfleet technology from the Eagle. Kirk denies Starfleet’s involvement, but realizes he’ll have to risk the Enterprise and everyone aboard so he can clear Starfleet’s name and destroy Alersa’s pirate fleet.

teleplay by Dave Galanter & Patty Wright
story by Dave Galanter & Gregory Brodeur
directed by Ben Tolpin / additional shots directed by Vic Mignogna
music by Fred Steiner

Cast: James Cawley (Captain Kirk), Brandon Stacy (Mr. Spock), John Kelley (Dr. McCoy), Barbara Luna (Alersa), Paul R. Sieber (Kyril), Charles Root (Scott), J.T. Tepnapa (Sulu), Jonathan Zungre (Chekov), Kim Stinger (Uhura), Bobby Quinn Rice (Peter), Jay Storey (Kyle), Ron Boyd (DeSalle), Meghan King Johnson (Rand), Patrick Bell (Xon), Jeff Mailhotte (Sentell), Charles Miller II (Dickerson), Ron M. Gates (Ross), Deniz Cordell (Bernstein), Vic Mignogna (Thuran), Cynthia Lin (Communications Officer), James Avalos (Science Officer), Ronn Smith (Andock), Brian Holloway (Conoris), Tal Baron (Voral), Matt Bucy (Meskan Security Guard), Howard Miller (Meskan Security Guard), Michael Stern (Peshan #1), John Olsen (Peshan #2)

Notes: Ben Tolpin, who portrayed Spock in Blood & Fire, gave up the science station chair for the director’s chair at short notice when Kevin Rubio, director of the fan-favorite Star Wars spoof Troops, dropped out as this episode’s director. Vic Mignogna, director of the upcoming episode Kitumba, directed some pickup shots made necessary by James Cawley’s ill health at the time of the original shoot.

Review: This might just be the best Phase II episode to date. The “classic cast members play aged versions of their characters” gags long behind them, Phase II has been cranking out some classic Star Trek. The two-part Blood & Fire was overtly topical, but Enemy: Starfleet! is simply a rollicking good action-adventure.

This is an episode of a fan-made series whose storyline may be invalidated by later official studio productions.

Stardate not given: The Enterprise passes through an energy cloud judged to be harmless, but during the journey through the cloud a floating light penetrates the ship’s hull and studies various sleeping crew members before settling on Deltan navigator Lt. Acel. When she awakens, she goes to sick bay, where she informs Dr. McCoy – without undergoing any tests – that she is pregnant. Within hours, Acel gives birth to a seemingly normal daughter, though the child’s rate of growth is beyond anything in human or Deltan experience. The Enterprise is intercepted by a large, cylindrical object containing the same kind of energy found in the cloud, but at a much higher concentration. The cylinder’s presence marks the beginning of a string of one deadly crisis after another, with Acel’s daughter, Irska, instrumental in solving each emergency. Kirk and Spock grow increasingly suspicious of Irska’s connection to the energy in the cylindrical ship, but any direct attack on that ship causes Irska to shriek in pain. The cylinder begins to destabilize the atomic structure of the Enterprise’s hull, leaving the crew with an agonizing decision: what, or who, will be sacrificed to save everyone else on the ship?

written by Jaron Summers and Jon Povill
directed by Jon Povill
music by Fred Steiner except
“Deltan Lullabye” composed by Deniz Cordell
“Deltan Dance” composed by William Lloyd Jones

Cast: James Cawley (Captain Kirk), Brandon Stacy (Mr. Spock), John Kelly (Dr. McCoy), Anna Schnaitter (Isel), Ayla Cordell (Irska), Charles Root (Scott), Jonathan Zungre (Chekov), J.T. Tepnapa (Sulu), Bobby Quinn Rice (Peter Kirk), Jay Storey (Kyle), Ron Boyd (DeSalle), Meghan King Johnson (Rand), Patrick Bell (Xon), Jeff Mailhotte (Sentell), Riva Gijanto (Zarha), Deniz Cordell (Bernstein), Brian Holloway (Jansen), Ronald M. Gates (Hemmings), Matt Bucy (Crewman), Natalia Tudela (Nurse), Paul R. Sieber (Commander), Zoe Staubitz (baby Irska)

Notes: Originally written by Jon Povill and Jaron Summers for the never-made 1977 TV relaunch of the original Star Trek (from which this fan series, Star Trek Phase II, borrows its name), The Child was intended to chronicle Deltan navigator Lt. Ilia giving birth to a mysterious daughter, since Ilia, Decker and Xon were intended to be series regulars. Structurally, this version of The Child is much more faithful to the original ’70s script than the hastily-adapted version of The Child which opened the second season of Star Trek: The Next Generation (which bestowed a mystery child upon Counselor Troi instead). The original script as written for the ’70s series, minus alterations for either this fan series or TNG, appears in full in the book “Star Trek Phase II: The Lost Series” by Judith & Garfield Reeves-Stevens. Writer Jon Povill was the story editor for the aborted ’70s series and worked closely with Gene Roddenberry through the series development cycle, and here he directs his own script.

LogBook entry & review by Earl Green