Protect And Survive
In the year 2040, interplanetary travel has become a reality. 20-year NYPD veteran Patrick Brogan is now working a new beat, patrolling space near the planet Altor, home to the nearest orbital precinct base for the interspecies Space Police.
But the transition isn’t as easy as Brogan and his hotshot young partner, Jack Haldane, sometimes make it look. They pursue a courier with insider knowledge of an interstellar crime syndicate, but the pursuit itself causes considerable damage and Brogan is forced to shoot to kill when the courier draws a gun on him. Later, the informant who tipped Brogan off to the presence of the courier is brutally murdered by crime boss Gershom… who has unwittingly left a witness to the incident. Brogan and Haldane are assigned to keep that witness alive long enough to testify against Gershom in court, a task that won’t be as easy as it sounds.
Season 1 Regular Cast: Ted Shackelford (Lt. Patrick Brogan), Rob Youngblood (Officer Jack Haldane), Simone Bendix (Officer Jane Castle), Nancy Paul (Sally Brogan)
written by Paul Mayhew-Archer
directed by John Glen
music by Crispin MerrellGuest Cast: Bert Kwouk (Slik), Oliver Cotton (Gershom), David Shaw-Parker (Lawyer), Nic Klein (Matt Brogan), Megan Oliver (Liz Brogan), Richard James (Orrin), David Quilter (Fredo), Jerome Willis (Podly), Mary Woodvine (Took), Leigh Tinkler (Medic #1), Rob Thirtle (Loyster), Andy Dawson (Judge), Gary Martin (voice of Slomo)
Notes: Gerry Anderson’s first live-action series since Space: 1999, nearly 20 years earlier. In that time, Anderson had split with his wife and former producing partner, Sylvia Anderson, and sold off the rights to his earlier Supermarionation series as well as such projects as UFO and Space: 1999; his only other work since Space: 1999 had been the puppet series Terrahawks and Dick Spanner, P.I. in the 1980s. Unless one counts the Thunderbirds live action remake movie directed by Jonathan Frakes, Space Precinct remains Anderson’s last live-action project to date. The show shares some common ground with Space: 1999, including the “this episode!” montage in the opening credits, and sticking steadfastly to miniature models even at a time when CGI was rapidly coming into vogue with series such as Babylon 5 and seaQuest DSV on the air at the same time. Even before that, however, Anderson initiated Space Precinct in the late 1980s as a pilot film called Space Police, which starred Shane Rimmer as Chuck Brogan. Space Precinct launched in the lucrative syndicated market for science fiction in the U.S. that was created by the popularity of Star Trek: The Next Generation, but didn’t catch on in the U.S.; by the time Space Precinct premiered and gained an audience in Europe in 1995, its fate was already decided: there would be no second season without success in the American market.