I do this once or twice a year as upcoming music releases line up like ducks in a row – very expensive ducks in a row, in some cases – just for giggles. And because the anticipation is part of the fun. And because you may want to have some participation in my anticipation. Okay, I’m done, let’s talk music. … Read more
A bit of a rant about the Lost finale. This would be a good one to avoid if you’re not up on the show or haven’t seen the finale yet.
Because here there be spoilers. And elephants. Lots and lots of elephants. … Read more
Okay, guys, I’m just gonna get right down to it without any formalities. We’re about 17 hours away from the beginning of the final episode of Lost. I’m going to be “on the board” for this show, probably the biggest TV draw of May sweeps if not the entire frakkin’ year, so please allow me to implore you to do the following:
Don’t f@$% it up. Seriously. If it turns out to be a St. Elsewhere ending that makes people pick up pitchforks and torches and storm their local ABC stations, it’s my ass they’re after, right? So, seriously, don’t get me killed. Please. It’ll look really bad on the paperwork afterward.
Purely as a fan, let me add the following request:
Don’t f@$% it up. You might just be able to top the audience figure for the finale of M*A*S*H here. Personally, I kinda doubt that’ll happen, but hell, stranger stuff has happened recently – look at what we now consider the #1 movie of all time to be. (I still think that ranking is the result of “cooked books” by way of inflated 3-D ticket prices, but what do I know?)
But more to the point, you have an opportunity to make this a finale that people are talking about years – or decades – later. J.J. Abrams himself once said that one of his chief inspirations for what he turned Lost into after he took over the show from its rather simplistic “Castaway on TV” pilot pitch was The Prisoner – as in the original show from the 1960s, not the miserable mash-up from earlier this year. People are still talking about The Prisoner’s final episode, 42 years later. Some folks claim to know what the message is. Other folks claim we’re still peeling back the layers (of an hour of TV shown – let me say it again – 42 years ago) and still aren’t close to the message. Others simply assume 
that there is no message, and that those involved must surely have been high on a stash of LSD covering roughly the same acreage as The Village itself.
Can the finale of Lost get us talking – for years afterward – like The Prisoner did? Or will it turn into something where people are merely grumbling about it for years afterward (see also: Roseanne)? I guess we’re about 17 hours away from finding out.
Don’t f@$% it up, guys.… Read more
I have been a very, very infrequent viewer of The 4400 on USA. My wife’s been following it more closely. I caught a pretty good chunk of Sunday night’s episode last weekend, since she was already watching it, and I realized two things very quickly:
1. I had no freakin’ idea what’s going on in the story anymore.
2. I had no one to root for.
I was really more concerned with the second point than the first, otherwise I would’ve been watching The 4400 all along. I’m sure that if I was more into the story, I’d probably have some insider’s knowledge that the plotline is a lot like Galactica: basically good people having to do some fairly shady things for survival’s sake. I remember, after part 1 of the Galactica episode Pegasus aired, I stomped into theLogBook’s virtual writers’ room and complained that the rapacious crew of the Battlestar Pegasus was one step too far over the line for me: the story had officially gotten too dark. And I think I remember making the same comment about the cluster of six “Others” episodes at the beginning of the third season of Lost – sure I wanted to know more about the Others, but I just wasn’t interested in seeing Sawyer tortured or beaten to a pulp week after week. In both cases, the shows righted themselves after these moments of extreme darkness, and in the discussion of Galactica, it was pointed out to me that, as much trouble had been taken by the writers to show what kind of grey-area, situational-ethics decision making our heroes on Galactica had relied on to survive, the Pegasus crew had to be shown to be even more questionable in their judgement and conduct. I can grok that.
I’m sure the situation is the same with The 4400, but not being an avid follower of the story, I just don’t realize it. What nagged at me is that, unlike Lost and Galactica, I couldn’t tell who was supposed to be the bad guy. I was able to divine the differing agendas and philosophies of the two main characters on either side of the divide, but both of them were exhibiting such reprehensible behavior that I couldn’t see who I was supposed to root for. But what struck me was that my wife, who has been an avid follower of The 4400, said “I don’t like where they’re going with this show.”
I know we live in the age of the anti-hero, in an age where there is no such clear-cut decision that isn’t a questionable one. I know we live in an age where there are worse monsters walking among us than a couple of well-dressed, eloquently-spoken TV characters who have intensely charismatic dialogue written for them that outlines their worldviews and why they oppose…well…whoever the heck it is they happen to be opposing in this week’s episode. And I know we live in a world where players on both sides of any given conflict, however well-meaning their motivations, display reprehensible behavior. The people on TV have got nothin’ on the real life villains on both sides of the playing field.
But geez, people. Give us some hint of who’s on the side of the angels, however misguided they may be. The tale of someone who sets out to fight the good fight, falls and is redeemed is a morality play. The tale of everyone falling and not finding redemption is just nihilism. I’m not asking for characters wearing white hats or black hats, but instead just the barest hint of an honorable motivation somewhere.… Read more
It doesn’t happen too often anymore, but maybe once a year there’s a confluence of musical talent, old favorites, and stuff I’m Just Curious About all hitting at roughly the same time. (There was a time, long ago, when this was more of a quarterly thing.) Some stuff I’ve already ordered, some stuff I’m still slobbering over, and other stuff I’m just thinking about. Here’s a rough rundown of this fall’s candidates for curing my mystery melody malady. … Read more
