Far back in the mists of ancient time, or in the summer of 2004 to be precise, Babylon 5 creator J. Michael Straczynski was approached by Paramount with an eye toward taking over Star Trek: Enterprise’s writing room. He declined the offer, needless to say, though this isn’t necessarily a bad thing – for the most part, I think most fans felt that the fourth season finally saw the show come into its own under the guidance of Manny Coto. But Straczynski did reveal – rather cruelly, I thought! – to Trek and SFTV fans everywhere that he and Dark Skies co-creator Bryce Zabel had collaborated on a pitch for a new Trek series. And Straczynski hinted on several occasions that the idea leaned toward a complete re-imagining of the Trek universe, using many of the same conventions (no pun intended) but removing some of the boundaries that had been erected by Roddenberry, et al. – boundaries which, and this is my opinion, not JMS’, were put in place to rewrite history and make the original series sound more socially important than it was. Let’s be fair, the original series’ ideal world of the future may have been culturally diverse, but the turbolift still smacked into the Glass Ceiling on more than one occasion. Somewhere along the way, one of those barriers that Roddenberry added to the basic tenets of the Trek universe was that our characters don’t argue amonst themselves, at least not in a petty way. But some writers of the spinoff series of the 1980s and 90s interpreted this to mean that everyone got along swimmingly – Deep Space Nine was a refreshing exception – and along with other factors, the life was gradually bled out of the franchise.
But what would Straczynski and Zabel have done differently? Bryce Zabel finally unveiled the dozen-page 2004 pitch for a Star Trek reboot at his blog (click here to go and read it) – in all likelihood because the recent hiring of J.J. Abrams as the new shepherd of the Trek universe pretty much seals the deal that nothing will ever happen with the Straczynski/Zabel reboot. (Part of me wonders if it isn’t there now to get, on the record, just a little teensy weensy bit of “But look, we got there first!” before Abrams performs a similar reboot himself.) It’s interesting reading, with a proposal for an over-arching, 5-year mystery involving the Enterprise’s real mission – its secret mission, one of which only Kirk, Spock and McCoy are aware. It smacks more than just a little bit of B5 leftovers, but I trust both writers enough to think that it would’ve been couched in different terms.
The pitch notes that, after all of the reinvention that has already taken place within the Trek franchise, viewers and fans should be able to take a reboot in their stride. I’d like to think that’s possible – look at Battlestar Galactica (which one respondent to Zabel’s blog posting tries to use as evidence that a reboot is a bad idea because of “the majority of original series BSG fans hating it” 😆 – maybe before the miniseries premiered, maybe). But while I think the idea is sound, sadly, I think the writers here underestimated the near-religious fervour with which fandom would’ve responded. And herein lies the sad truth: unless some brilliant mind like Abrams or someone who has relaunch ideas similar to Russell T. Davies’ approach to restarting Doctor Who succeeds, Star Trek may have to be put out to pasture because of fandom. I don’t even think the Catechism is as closely adhered to as Star Trek continuity is, and that’s even after Enterprise’s almost inadvertently comical attempt to explain away Klingon head ridges just for the duration of Kirk’s era. Never mind adding a new generation of characters – there may have to be a new generation of viewing audience in place before Star Trek can be stripped down to its component storytelling molecules and reassembled (no doubt on a “transporter pad” of digital media delivery somewhere).
Am I perhaps jettisoning both baby and bathwater out the nearest airlock? Maybe – or maybe not. Think about it. Star Trek fans have basically done what Doctor Who fans accomplished in the late 1980s – bitched and bitched about the show we suppodedly supported, and its producers, until the studio decided “Well hell, if the fans don’t even like it, what’s the point?” And I’ll admit, I was guilty of my own share of latter-day Trek bashing.
If the Doctor Who/Star Trek analogy is accurate, though, maybe we should’ve waited 15 years before handing Abrams the keys.
I’m not sure I get your last point. You’re saying it’s fans’ fault Trek left the air, as opposed to the poor quality of shows that drove most of them away in the first place? If the product’s not good anymore, it’s kinda silly to support it.
As for the larger points – Straczynski needs another pony, or at least he needs to teach the one he has a new trick or two. And rebooting Trek is hugely different the rebooting Galactica. For better or worse, Galactica had one year of stories, 25+ years ago. The Classic Trek characters were around for 20-30 years. I think it’s going to be a lot harder for the casual viewers to let go of their mental images of Kirk/Spock/McCoy than it was for casual viewers to let go of their ideas of Apollo/Adama/Starbuck. And really, the casual viewers matter a hell of a lot more than the hardcore rabid fanbase anyway.
The poor quality of the stories (I wouldn’t say the shows in toto because the production quality, at least, always seemed to be more than adequate) did create apathy at best, and anger and vindictiveness at worst, among the fans; with the ratings already low, I can imagine the fan reaction didn’t encourage Paramount to renew the show.
My point is: I hope fan reaction to the idea of a Trek reboot doesn’t put Paramount off the idea of trying it anyway.
Oh, and how could you forget Galactica 1980? 😆
A great looking show with a lousy story is still a lousy show. And given the ratings, I don’t think that Paramount needed any encouragement not to renew the show. Truth be told, Paramount undoubtedly preferred the ranting to the apathy, because the ranters were at least watching the show.
Frankly, I don’t think studios give a hoot or a holler about hardcore fan reaction. If you had heard some comics fans rant about organic webshooters in Raimi’s first Spider-Man movie, you’d have thought the project was doomed. Or Michael Keaton playing Batman. Or Superman with an S-shaped belt buckle. (Well, we’ll see how that one goes in a week.) On the flip side, you can’t swing a toy cat without hitting a save-our-show campaign from devoted fans that is completely ignored by everyone else.
And it was very easy to neglect Galactica 1980, considering everyone else did/does. 🙂